Past Exhibitions

Browse the chronological list of past exhibitions at the 老司机福利网 Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥� for more information about an exhibition. If you need further information about an exhibition, please contact us.

Name

Bernard Maisner: Entrance to the Scriptorium

Dates

November 14, 1998 to June 28, 1999

Description

The late art historian George Kubler wrote in The Shape of Time, "[Works of art] are like gateways, where the visitor can enter the space of the painter, or the time of the poet, to experience whatever rich domain the artist has fashioned. But the visitor must come prepared: if he brings a vacant mind or a deficient sensibility, he will see nothing."

Nearly twenty-five years ago at the beginning of his formal art career, Bernard Maisner entered the gateway of manuscript illumination, immersing himself in the study of texts from Medieval Christianity, Judaism, Islam, Buddhism, and Hinduism. He brought with him a perceptive intellect and an imagination that allowed him to mine the riches of these works, absorb their beauty and mystery, and learn the techniques of illumination.

Bernard Maisner: Entrance to the Scriptorium is the first comprehensive exhibition of Maisner鈥檚 art, containing over 85 works spanning the years 1975 to 1998. The exhibition reflects Maisner鈥檚 ongoing love of books and pages that began in the mid-1970s and continues to the present; his smaller works of the early to mid-1980s; his multi-paneled works of the late 1980s; the large paintings of the early 1990s; and the more expressive, loose, brush work paintings of the mid-to-late 1990s.

Eminent art historian Dore Ashton perceptively notes that Maisner does not seek to "embalm time." His work is rooted in the tradition of illumination that is well over a millennium old; but it is also modern in its concept, its use of materials (egg tempera and gold leaf sometimes juxtaposed with cigarette ash and dirt), its designs and its themes. He has been attracted to passionate writers, be they modern literary figures, musicians, composers, or ancient philosophers.

Maisner is primarily interested in non-narrative texts, which he fully integrates into the design and composition of the overall works. Words flow through hourglasses, rise like steam from a cauldron, or fly out in centrifugal spirals. Often in his microcosmic worlds, Maisner deals with ultimate concerns. As Maisner himself says, his subjects are the "questions of infinity, endlessness, beginnings, endings, emotion, intellect. Unity, opposites and paradoxes fascinate me. Creation, love, suffering, passion, and death . . ." But in pursuit of these themes, Maisner does not desire definite answers鈥攊t is sufficient for him to stand in wonder at the mystery of life.

George Kubler stated that "when a specific temperament interlocks with a favorable position, the fortunate individual can extract from the situation a wealth of previously unimagined consequences." This is the achievement of Bernard Maisner. He has seen the richness, mystery, and power of illumination with a modern eye, has understood it anew, and has presented the viewer with a "wealth of previously unimagined consequences."

After its initial presentation at MOCRA, Entrance to the Scriptorium travels to the Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA; the Austin Museum of Art, Austin, TX; and the Flora Lamson Hewlett Library at the Graduate Theological Union, Berkeley, CA.

The exhibition catalogue features 70 color reproductions, a catalogue essay by art historian Dore Ashton, and an introduction and interview with the artist by exhibition curator Terrence Dempsey, S.J.

Bernard Maisner is not only one of the finest illuminators of manuscripts at work today, but an accomplished painter as well. His paintings andilluminations combine text, design and materials in a way unlike any other contemporary work. What results are stunning works of art that are ravishing in their beauty and intriguing in their mystery. Maisner is represented in some of this country鈥檚 most prestigious private and public collections. Born in Paterson, New Jersey in 1954, Maisner first became familiar with illuminated manuscripts during his college studies at The Cooper Union in New York.

Since that time he has been a guest lecturer, teacher and researcher at such prominent institutions as the Bibliotheque Nationale in Paris, the Cloisters Museum of the Metropolitan Museum of Art, the Pierpont Morgan Library, and the J. Paul Getty Museum. Maisner鈥檚 search for meaning in his art takes him in the direction of the infinite, of opposites, of reverence of Nature, and of things mystical and unanswerable. This mid-career retrospective exhibition is originating in St. Louis and will travel to six national venues.

[Bernard Maisner] set out to grasp the passage of time in living metaphors. | Dore Ashton

above:
Installation view of Bernard Maisner: Entrance to the Scriptorium at MOCRA, 1998鈥�1999. Photo by Jeffrey Vaughn.

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Media

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Georges Rouault: Miserere et Guerre March 2, 2003 to May 11, 2003 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
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