Browse the chronological list of past exhibitions at the 老司机福利网 Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥 for more information about an exhibition. If you need further information about an exhibition, please contact us.
James Rosen: The Artist and the Capable Observer
September 26, 2010 to February 13, 2011
Over his six-decade career, James Rosen has produced a body of visually arresting paintings, watercolors, and drawings, that gently invite viewers to stay a while. Rosen seeks "capable observers" who bring to bear their own intellect and imagination in order to observe poetic images that are conducive to quiet contemplation.
MOCRA is fortunate to have over 100 Rosen works either in its collection or on long-term loan. His work has been included in many of MOCRA's group exhibitions over the years and never fails to draw appreciative comments from visitors. Drawing primarily on these works, The Artist and the Capable Observer presents work from the 1950s to the present, offering viewers the opportunity to observe Rosen鈥檚 visual journey through paintings, watercolors, drawings, and prints.
The exhibition culminates with a series of oil and wax/oil emulsion paintings that are homages to the religious art of the European past. Rosen is especially drawn to some of the great European religious masterworks by artists such as Duccio and Gr眉newald. Painted with up to 60 thin layers--"veils"--of oil paint and wax, these works possess a sense of mystery as they slowly disclose themselves to the patient and attentive observer.
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Rosen has had a distinguished career as an artist and lecturer. Educated at Cooper Union, Wayne State University, and Cranbrook Academy of Art, he has taught at the University of Hawaii, the University of California - Berkeley, Augusta College, and the Pennsylvania Academy of the Fine Arts. He has exhibited widely and his works are in collections including the Metropolitan Museum of Art, MoMA, the Whitney Museum, and the Ashmolean Museum. Influenced by artist Mark Rothko and art historian Meyer Schapiro, Rosen's work demonstrates his keen understanding of art history, mastery of form, and ability to imbue canvases with mystery. He is represented by Gallery Paule Anglim, San Francisco, and the Leyton Gallery, St. John's, Newfoundland.
This exhibition is made possible through the financial support of the Regional Arts Commission.
While others tangle themselves in excess, Rosen starts with the question: What is truly essential here? He demonstrates that the function of art is to coordinate the visual imagination, the sensitive eye, the intellect, and the network of subliminal associations that not the painter alone, but the observer as well, brings to the work. | Madlyn Millner Kahr
above:
Installation view of James Rosen: The Artist and the Capable Observer at MOCRA, 2010. Photo by Jeffrey Vaughn.
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Exhibition |
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Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan 鈥 Images from the Phenomenal World |
Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 - Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 - Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years 鈥 The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Arshile Gorky: The Early Years 鈥 Drawings and Paintings, 1927鈥1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis Gonz谩lez-Palma, Maria Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit 鈥 Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good 鈥 An Artist's Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol's Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985鈥1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece 鈥 The Life of Christ |
Ian Friend: The Edge of Belief 鈥 paintings, sculpture, and works on paper, 1980鈥1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two 鈥 Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn't Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |