Past Exhibitions

Browse the chronological list of past exhibitions at the 老司机福利网 Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥� for more information about an exhibition. If you need further information about an exhibition, please contact us.

Name

Erika Diettes: Sudarios

Dates

September 25, 2016 to December 11, 2016

Description

Colombian artist Erika Diettes draws upon her training as both an artist and an anthropologist by bringing forth work originating in the direct testimonies of the families of victims of decades of ongoing violence in her country, as well as in objects belonging to them. For her 2011 series Sudarios, she set up a studio in the province of Antioquia, a region that has endured intense violence. She interviewed at length and photographed women who had been forced to witness the torture and murder of their loved ones. As Diettes notes, 鈥淭he purpose of this kind of violence is not only to kill people, it鈥檚 to create witnesses, instill terror, and control a region.鈥� The resulting twenty photographs are intimate portraits of women reliving 鈥渢he moment that divided her life in two.鈥�

Printed on silk panels over seven feet in height, the images take on a ghostly, ethereal quality that suggests the ways in which grief can leave people 鈥渁live, but not living.鈥� Appropriately, sudario is the Spanish word for 鈥渟hroud,鈥� especially a funerary cloak to cover a deceased body. But the word can also refer to the burial cloth of Christ to which, according to tradition, the image of Jesus鈥� face and body were miraculously transferred. The women become both protagonists and objects of study and contemplation, encompassing pain, loss and mourning. But more than being a testimonial to pain and death, the works also give evidence to life after horrific events. As the artist says, they are also 鈥渢estaments to dignity and to the twin desires of seeking justice and honoring the dead.鈥�

Diettes displays her work in the (frequently poor and isolated) communities where her subjects live, for whom the work often becomes an instrument of mourning and healing. Most often the works are shown in churches, so that, in the words of Charles Guice, 鈥淒iettes elevates their burden to a spiritual one, their suffering acknowledged and dignified in that most sacred of spaces. The larger-than-life-scale overwhelms us, as if to suggest the enormity of the violence that lay hidden behind their eyes, and like martyrs seeking redemption, their presence invites us to share in their burden.鈥�

At MOCRA鈥攐nly the third U.S. site where Sudarios had been exhibited鈥攖he twenty images were suspended from the nearly thirty-foot high ceiling of a building originally used as a chapel. MOCRA was honored to bring these works to St. Louis, a community in which many residents are also living with and addressing traumas both past and present. This exhibition was made possible through the generous assistance of Schneider Gallery, Chicago.

Erika Diettes (b. 1978) is a Colombian visual artist and social anthropologist who explores issues of memory, pain, absence, and death in a variety of mediums from her multidisciplinary perspective. Her work has been exhibited in unique spaces linked to re-memoration processes developed by the victims' movements in Colombia as well as at other venues, including the Museums of Modern Art of Bogot谩, Cali, Medell铆n, and Baranquilla in Colombia, the Museum of Contemporary Art in Santiago de Chile, at the Museum of Fine Arts and the Fotofest Biennial in Houston, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, the Malta Festival in Pozn谩n, Poland, and at CENTER in Santa Fe, New Mexico. Her work is part of the permanent collections of the Museo de Antioquia (Colombia) and the Museum of Fine Arts Houston, as well as important public and private collections in Colombia and the United States.

My work is inspired by the extremely complex social, political, and cultural situation that exists in Colombia, along with theoretical questions raised by my reaction to the unrelenting violence that my country has experienced for decades. I have decided to bear witness to that violence, and to give the victims鈥攂oth those murdered and disappeared and their survivors鈥攙oice through my art. | Erika Diettes

above:
Installation view of Erika Diettes: Sudarios at MOCRA, 2016. Photo by Jeffrey Vaughn.

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Erika Diettes: Stories Told from the Threshold

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Media

Exhibition
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Erika Diettes: Sudarios September 25, 2016 to December 11, 2016 Colombian artist Erika Diettes draws upon her training as both an artist and an anthropologist by bringing forth work originating in the direct testimonies of the families of victims of decades of ongoing violence in her country, as well as in objects belonging to them. For her 2011 series Sud...
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Sanctuaries: Recovering the Holy in Contemporary Art, Part One February 14, 1993 to April 11, 1993 MOCRA鈥檚 two-part inaugural exhibition features more than 100 works from an wide-ranging roster of artists working in styles ranging from traditional Western figuration to minimalist and geometric abstraction. The artists, generally in their 30s, 40s, and 50s, tend to be disillusioned with the c...
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Georges Rouault: Miserere et Guerre March 8, 2011 to July 31, 2011 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 2, 2003 to May 11, 2003 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre January 18, 2000 to April 2, 2000 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 21, 1994 to April 26, 1994 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Visible Conservation September 22, 2017 to April 8, 2018 In 2016 MOCRA acquired Michael Tracy's powerful 1981 work Cruz to Bishop Oscar Romero, Martyr of El Salvador. With Visible Conservation, we gave visitors a rare behind-the-scenes glimpse of the process of documenting and cleaning the work prior to its reassembly and first presentation at MOCRA. ...
Highlights from the MOCRA Collection July 25, 2016 to September 3, 2016 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Romare Bearden, Dawoud Bey, Maria Magdalena Campos-Pons, Doug DePice, Robert Farber, Luis Gonz谩lez Palma, DoDo Jin Ming, Dean Kessman, Chris McCaw, Daniel Ramirez, and Susan S...
Highlights from the MOCRA Collection May 30, 2015 to August 2, 2015 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Romare Bearden, Dawoud Bey, Maria Magdalena Campos-Pons, Junko Chodos, Doug DePice, Luis Gonz谩lez Palma, DoDo Jin Ming, Dean Kessman, Frank LaPena, Daniel Ramirez, and Susan S...
Highlights from the MOCRA Collection: The Romero Cross April 21, 2018 to July 28, 2018 Seven months of conservation work culminate in the first public showing at MOCRA of Cruz to Bishop Oscar Romero, Martyr of El Salvador, a major mixed media sculpture by Michael Tracy (b. 1943), who first achieved international recognition in the 1980s, exhibiting in the 1982 Venice Biennal...
Highlights from the MOCRA Collection March 28, 2006 to July 30, 2006 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Seyed Alavi, Luis Gonz谩lez Palma, Steven Heilmer, Anne Minich, Shahzia Sikander, Kazuaki Tanahashi, and other artists. above: Sr. Helen David Brancato, Crucif...
Highlights from the MOCRA Collection June 20, 2004 to August 29, 2004 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Peter Ambrose, Gryphon Blackswan, Daniel Goldstein, Steven Luecking, Gary Passanise, Susan Schwalb, Michael Tracy, and other artists. above: Anne Minich, Annie...
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Sanctuaries: Recovering the Holy in Contemporary Art, Part Two 鈥� Three Major Installations April 18, 1993 to August 29, 1993 MOCRA's two-part inaugural exhibition features more than 100 works from an wide-ranging roster of artists working in styles ranging from traditional Western figuration to minimalist and geometric abstraction. The artists, generally in their 30s, 40s, and 50s, tend to be disillusioned with the cel...
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MOCRA: 25 September 16, 2018 to March 3, 2019 The Museum of Contemporary Religious Art began with an audacious assertion: many of today鈥檚 visual artists engage with the religious and spiritual dimensions in their work鈥攅ven if they sometimes go about it in ways quite different from prior generations. Despite skepticism from mem...
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This Road Is the Heart Opening: Selections from the MOCRA Collection August 24, 2022 to December 18, 2022 The COVID-19 pandemic has illuminated harmful systemic inequities and our responsibility to name and respond to them. Simultaneously, we are recognizing the importance of attending to our own well-being in mind, body, and spirit, a holistic vision of human wellness that Ignatian spirituality refe...
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Selections from the MOCRA Collection September 06, 2023 to December 17, 2023 Enjoy a look at some of the most popular works in the MOCRA collection, along with recent acquisitions and lesser known gems. In particular, we pay tribute to the late James Rosen (1933鈥�2023). In a career spanning more than six decades, Rosen demonstrated a keen under...

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