Browse the chronological list of events at the 老司机福利网 Museum of Contemporary Religious Art (MOCRA), or search for a specific event. Click 鈥淰iew鈥 for more information about an event. If you need further information about an event, please contact us.
Peter Selz: 鈥淒egenerate Art鈥
May 4, 1995
In this lecture, renowned art historian, author and curator Peter Selz examines the 1937 Nazi-organized Entartete Kunst (鈥淒egenerate Art鈥) exhibition, the most virulent campaign ever organized against modern art, and considers its legacy and contemporary echoes. He will discuss the 1991 recreation of that exhibition by the Los Angeles County Museum of Art (LACMA). Additionally, Selz will explore contemporary issues of censorship and political intervention in the art world.
, Professor Emeritus of the History of Art at the University of California, Berkeley, and West Coast editor of Art in America, has written and organized exhibitions on virtually the entire spectrum of the arts of this century. From 1958 to 1965 he was Curator of the Department of Painting and Sculpture Exhibitions at The Museum of Modern Art in New York. He was the founding Director of the University Art Museum in Berkeley from 1965 to 1973 and was Project Director for Christo鈥檚 Running Fence from 1974 to 1976. Author of studies on German Expressionist painting, political cartoons, Art Nouveau, American painting between the World Wars, Funk, and kinetic sculpture, he has also written monographs on Ferdinand Hodler, Emil Nolde, Max Beckmann, Alberto Giacometti, Mark Rothko, Jean Dubuffet, and Sam Francis. He has contributed to numerous American and European journals and magazines and was co-editor (with Herschel B. Chipp and Joshua Taylor) of Theories of Modern Art.
This lecture is co-sponsored by Peter Wallach Gallery.
above:
Peter Selz
Related programming
Breaking Boundaries: A Conversation about the Art of Patrick Graham
Watch Peter Selz in on the MOCRA Voices Vimeo channel
Hear about Peter Selz鈥 influential role in the development of MOCRA on Episode 14: MOCRA Memories - Berkeley
Exhibition | |
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2018-10-07 to 2018-10-14 |
Walking in Hope: A Weeklong Celebration of the Canonization of Archbishop Oscar Romero |
2017-04-20 |
鈥淭he Hand Acts Out a Joyous Dance鈥: Celebrating the Art of Bernard Maisner |
2016-09-25 |
Erika Diettes: 鈥淪tories Told from the Threshold鈥 |
2015-12-06 |
So That You Know Each Other: Intercultural Reflections on Art, Beauty, and Islam |
2014-11-15 |
John Handley: “The Religious Art of Pablo Picasso” |
2018-09-28 to 2018-09-29 |
Fleur-de-Lis Floral Art Walk |
2014-02-23 |
鈥淭he Economy of Gift鈥 in Socially Engaged Art Practices: A Public Deliberation |
2013-10-02 |
Art21: The Spiritual Light screening at CAM |
2013-03-02 |
Rituals and Spirituality in the Performative Photographic Work of Maria Magdalena Campos-Pons |
2012-11-11 |
Breaking Boundaries: A Conversation about the Art of Patrick Graham |
2012-05-20 |
Stephen P. Durchslag: 鈥淭he Jewish Experience and the Haggadah鈥 |
2012-03-27 |
2012 Loyola Chair Lecture: “The Image of the Wounded Body of Christ and the Modern Social Consciousness” |
2011-10-06 |
2011 Loyola Chair Lecture: 鈥淭he Pursuit of the Spirit: The Renewed Interest in the Spiritual and Religious Dimensions in Contemporary Art鈥 |
2011-05-01 |
Terrence Dempsey, S.J.: 鈥淕eorges Rouault and the Art of Sacred Engagement鈥 |
2010-11-15 |
Terrence Demspey, S.J.: “Creating a Religious Environment through Contemporary Art and Architecture” |
2010-03-28 |
Terrence Dempsey, S.J.: “The Wounded Body of Christ and the Modern Social Conscience” |
2009-12-01 |
Day With(out) Art |
2009-11-15 |
Michael Byron: “Cosmic Tears: Word and Image” |
2009-03-29 |
Art and the Religious Imagination |
2008-04-15 |
Wu Hung: 鈥淲hat Is Contemporary Chinese Art?鈥 |
2007-10-07 |
Celluloid Bible Classics: The Ten Commandments |
2007-11-04 |
Celluloid Bible Classics: Ben-Hur |
2007-09-16 |
Michael Morris, O.P.: 鈥淢oving Pictures: The Bible and Beyond鈥 |
2007-03-30 |
Peter Frank: 鈥淎n Oskar Fischinger Tribute鈥 |
2006-12-01 |
Day With(out) Art |
2005-12-04 |
Robert Rosenblum: 鈥淒oDo Jin Ming: An Art Historian's View鈥 |
2003-09-07 |
To Make Extraordinary: The Role of Sacred Objects in Life and Worship |
2002-05-04 |
The Tuskegee Syphilis Experiment: A University Response |
2002-04-30 |
Fred D. Gray: The Tuskegee Syphilis Experiment: A Study That Should Never Have Occurred |
2002-01-31 |
Cloudlanders |
2002-01-26 |
Thomas Sokolowski: 鈥淭he Last Temptation: Andy Warhols Art as Belief鈥 |
2000-11-30 |
Day With(out) Art |
2001-04-06 |
Bare Naked Statues in concert |
1999-04-15 |
Two Lectures: Ellen Dissanayake and Jack Renard |
1999-03-27 |
Bernard Maisner: 鈥淭he Art of the Illuminator鈥 |
1998-03-22 |
Renaissance and Modern |
1997-11-15 |
The Role of the Computer in Contemporary Art |
1997-07-24 |
Jennifer Biddle: Body, Country, Canvas: Meaning and Identity in Central Desert Aboriginal Women鈥檚 Art |
1997-06-07 |
Creativity as Ancestral Mind: Living with the Ancestors |
1997-02-27 |
The Artist and the Theologian Dialogue: The Body of Christ as Veiling and Unveiling the Invisible God |
1996-12-01 |
Day Without Art |
1996-05-19 |
The Artist as Poet: Readings by Edward Boccia |
1995-05-20 |
Ian Friend: 鈥淭he Edge of Belief鈥 |
1995-05-04 |
Peter Selz: 鈥淒egenerate Art鈥 |
1995-02-05 |
Lynn Hague in recital |
1994-11-13 |
Terrence Dempsey, S.J.: 鈥淭he Spiritual in Art in the Time of AIDS鈥 |
1994-12-01 |
Day Without Art |
1994-11-05 |
Thomas Sokolowski: 鈥淭he Changing Face of AIDS鈥 |
1994-11-01 |
The Amici String Quartet in recital |
1994-10-15 |
Consecrations: The Spiritual in Art in the TIme of AIDS dance program and opening reception |
1993-10-29 |
I Remember Alvin |
1993-11-05 |
An Evening with Katherine Dunham |
1992-11-07 |
The Artist and Sacred Space |